We create imaginaries of the present and future through digital narratives.
Occupying the liminal realm between physical and digital, we seek to combine technological advancements with sensual qualities to activate a digital sensuousness.
Selected Works
2023
The Liminal Eatery
MR Installation
2023
Digital Indulgence
Sculpture
2023
Royal Chambers - Book
Publication
2023
Handling
Digital Imagery
2023
Synthetic Crops II
Digital Imagery
2022
Royal Chambers
Exhibition
2022
Wh331 0f 1!f3
Video Installation
2022
Rehousing Technosphere
Animation
2022
Between Earth and Cloud
Sculptural Installation
2022
Nest of You
Interactive Installation
Show More ︎︎︎
2022
Abiogenesis
Digital Imagery
2020-22
Successful Supper I, II, III
Digital Imagery
2021
Synthetic Crops
Digital Imagery
2021
Point of No Return
Sculpture
2021
Flat Screen
Sculpture
2020
Making Kin
Sculpture
2020
Growth
Digital Imagery + Spatial
2020
Wang & Söderström Collection
Object
2020
Wobbly Skyscraper
Installation
2020/2019
Table Of Contents II
Digital Imagery
2019
Low Tide Collection
Sculpture
2018
SANO x Wang & Söderström
Exhibition
2018
Collection of 3D printed objects
Sculpture
2018/23
Common Odd Things
Sculpture
2017
House Without Rules
Digital Imagery
2017
Transitional Speculation
Exhibition
2017
Incomplete Zen
Digital Imagery
2017
Table Of Contents I
Digital Imagery
2017
Objects With Hats
Sculpture
2016
WEARETHEFACES AR+AW17
Digital Imagery
2016
Treasures
Digital Imagery
© 2016 — 2024 Wang & Söderström
Ocean Plastics
With the exhibition Ocean Plastics the Röhsska Museum highlights various conceptual design projects where design can be seen as the solution, rather than the problem.
The ocean surface has been the keyword for the spatial and graphic work for Ocean Plastics. The surface as the interface where us land-dwellers meet the ocean. Signs of the ocean’s health are bubbling up from the depths into our reality. More optimistically, the concept is used in relation to modern technologies and design solutions that scratches the surface to revolutionized sustainable and innovative approaches.
Spatially, the horizontal water surface becomes a symbolic and natural link between the lower and upper exhibition hall = below and above the surface.
Year: 2019
Technique & Material: Various
Size: 1000 sqm. Two floors.
Commissioned by: Röhsska Museum of Design and Craft
Curator: Johan Deurell (exhibition curator, the Röhsska Museum)
Exhibition design: Wang & Söderström
Visual identity: Wang & Söderström.
Typeface design by Tor Weibull
Collaborators: the Chalmers University of Technology, the Keep Sweden Tidy Foundation, Kvadrat and Stena Recycling.
Photography: Carl Ander