Wang & Söderström is an artist and design duo investigating the intersections between technology, ecology, and human perception in a changing world.
2025
27 Antennae
Installation, Public Art
2025
Superorganism
Installation, Public Art
2025
Sharp Feelers – Soft Antennas
Solo Exhibition
2025
The Liminal Eatery II
Interactive installation
2025
Känselspröt (Feelers)
Tapestry
2025
5+sinnen (5+senses)
Folding Screen
2025
Sense Machine
Installation, Public Art
2025
Making Kin II
Sculpture
2024
Techno Mythologies
Solo Exhibition
2024
Snake Oil
Sculpture
2024
VIKING
Sculpture
2024
Hand of the Many
Sculpture
2024
Hand of Rebirth
Sculpture
2024
Trunks I-III
Sculpture
2024
Feeling Forward I
Relief
2024
Feeling Forward II
Glass Etch
2024
Hand in Hand
Installation, Public Art
2023
The Liminal Eatery
Interactive Installation
2023
Digital Indulgence
Sculpture
2023
Royal Chambers - Book
Publication
2023
Handling
Digital Imagery
2023
Synthetic Crops II
Digital Imagery
2022
Royal Chambers
Solo Exhibition
2022
Wh331 0f 1!f3
Video Installation
2022
Rehousing Technosphere
Animation
2022
Between Earth and Cloud
Sculptural Installation
2022
Nest of You
Interactive Installation
2022
Abiogenesis
Digital Print
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© 2016 —
2025 Wang & Söderström
Point Of No Return
Year: 2021
Technique & Material: 3D print PLA (bio-based plastic), IKEA 365+ Porcelain cup
Dimension: 315hx130dx150l mm
Exhibited:
◦ CUP Exhibition — Group Exhibition. The Classen Library, Copenhagen, October 2021. QB Gallery, Oslo, December 2021.
Curated by Pettersen&Hein + Camilla Schmidt. Installation photos by: QB Gallery
Technique & Material: 3D print PLA (bio-based plastic), IKEA 365+ Porcelain cup
Dimension: 315hx130dx150l mm
Exhibited:
◦ CUP Exhibition — Group Exhibition. The Classen Library, Copenhagen, October 2021. QB Gallery, Oslo, December 2021.
Curated by Pettersen&Hein + Camilla Schmidt. Installation photos by: QB Gallery
The piece is based around an anti-stress-relief act. In order to enfold the cup within the 3D print the cup needed to be placed inside the sculpture within a window of time of 1 minute, somewhere between 12-15 hours after the machine started 3D-printning.
If the window missed the 3D print would fail.
We actually ruined the print 2 times, first because of missing the time slot and second by depositioning the printhead while trying to cram in the cup. Third time's a charm and now it stands here as a small monument of failure, uselessness and stress, embodying the cup's obstinate and pesky strive to "carpe diem".
We actually ruined the print 2 times, first because of missing the time slot and second by depositioning the printhead while trying to cram in the cup. Third time's a charm and now it stands here as a small monument of failure, uselessness and stress, embodying the cup's obstinate and pesky strive to "carpe diem".
