We create imaginaries of the present and future through digital narratives.
Occupying the liminal realm between physical and digital, we seek to combine technological advancements with sensual qualities to activate a digital sensuousness.
Selected Works
2023
The Liminal Eatery
MR Installation
2023
Digital Indulgence
Sculpture
2023
Royal Chambers - Book
Publication
2023
Handling
Digital Imagery
2023
Synthetic Crops II
Digital Imagery
2022
Royal Chambers
Exhibition
2022
Wh331 0f 1!f3
Video Installation
2022
Rehousing Technosphere
Animation
2022
Between Earth and Cloud
Sculptural Installation
2022
Nest of You
Interactive Installation
Show More ︎︎︎
2022
Abiogenesis
Digital Imagery
2020-22
Successful Supper I, II, III
Digital Imagery
2021
Synthetic Crops
Digital Imagery
2021
Point of No Return
Sculpture
2021
Flat Screen
Sculpture
2020
Making Kin
Sculpture
2020
Growth
Digital Imagery + Spatial
2020
Wang & Söderström Collection
Object
2020
Wobbly Skyscraper
Installation
2020/2019
Table Of Contents II
Digital Imagery
2019
Low Tide Collection
Sculpture
2018
SANO x Wang & Söderström
Exhibition
2018
Collection of 3D printed objects
Sculpture
2018/23
Common Odd Things
Sculpture
2017
House Without Rules
Digital Imagery
2017
Transitional Speculation
Exhibition
2017
Incomplete Zen
Digital Imagery
2017
Table Of Contents I
Digital Imagery
2017
Objects With Hats
Sculpture
2016
WEARETHEFACES AR+AW17
Digital Imagery
2016
Treasures
Digital Imagery
© 2016 — 2024 Wang & Söderström
Point Of No Return
Year: 2021
Technique & Material: 3D print PLA (bio-based plastic), IKEA 365+ Porcelain cup
Dimension: 315hx130dx150l mm
Exhibited:
◦ CUP Exhibition — Group Exhibition. The Classen Library, Copenhagen, October 2021. QB Gallery, Oslo, December 2021.
Curated by Pettersen&Hein + Camilla Schmidt. Installation photos by: QB Gallery
Technique & Material: 3D print PLA (bio-based plastic), IKEA 365+ Porcelain cup
Dimension: 315hx130dx150l mm
Exhibited:
◦ CUP Exhibition — Group Exhibition. The Classen Library, Copenhagen, October 2021. QB Gallery, Oslo, December 2021.
Curated by Pettersen&Hein + Camilla Schmidt. Installation photos by: QB Gallery
The piece is based around an anti-stress-relief act. In order to enfold the cup within the 3D print the cup needed to be placed inside the sculpture within a window of time of 1 minute, somewhere between 12-15 hours after the machine started 3D-printning.
If the window missed the 3D print would fail.
We actually ruined the print 2 times, first because of missing the time slot and second by depositioning the printhead while trying to cram in the cup. Third time's a charm and now it stands here as a small monument of failure, uselessness and stress, embodying the cup's obstinate and pesky strive to "carpe diem".
We actually ruined the print 2 times, first because of missing the time slot and second by depositioning the printhead while trying to cram in the cup. Third time's a charm and now it stands here as a small monument of failure, uselessness and stress, embodying the cup's obstinate and pesky strive to "carpe diem".
