Wang & Söderström is an artist and design duo investigating the intersections between technology, ecology, and human perception in a changing world.



2025
27 Antennae
Installation, Public Art

2025
Superorganism
Installation, Public Art

2025
Sharp Feelers – Soft Antennas
Solo Exhibition

2025
The Liminal Eatery II
Interactive installation

2025
Känselspröt (Feelers)
Tapestry

2025
5+sinnen (5+senses)
Folding Screen

2025
Sense Machine
Installation, Public Art

2025
Making Kin II
Sculpture

2024
Techno Mythologies
Solo Exhibition

2024
Snake Oil
Sculpture

2024
VIKING
Sculpture

2024
Hand of the Many
Sculpture

2024
Hand of Rebirth
Sculpture

2024
Trunks I-III
Sculpture

2024
Feeling Forward I
Relief

2024
Feeling Forward II
Glass Etch

2024
Hand in Hand
Installation, Public Art

2023
The Liminal Eatery
Interactive Installation

2023
Digital Indulgence
Sculpture

2023
Royal Chambers - Book
Publication

2023
Handling
Digital Imagery

2023
Synthetic Crops II
Digital Imagery

2022
Royal Chambers
Solo Exhibition

2022
Wh331 0f 1!f3
Video Installation

2022
Rehousing Technosphere 
Animation

2022
Between Earth and Cloud
Sculptural Installation

2022
Nest of You
Interactive Installation

2022
Abiogenesis
Digital Print


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© 2016 — 2025 Wang & Söderström

Wang & Söderström is an artist duo investigating the interplay between technology, ecology, and human perception in a changing world.


27 Antennae






Year: 2025
Commissioned Public Art / Installation
EU Council, Justus Lipsius Building, Brussels

Exhibition period: July 16 — Dec 31. 2025

Technique: Digital sculpting, 3D printing, augmented reality (AR)
Material: 3D printed recycled plastic and woodfibers, eelgrass boards, fire retardant MDF boards, cargo straps
Photos by: EU Council + Wang & Söderström


Eelgrass boards: Søuld
Recycled plastic and woodfibers: Woodcomposite Sweden




Artistic decoration commissioned by the Ministry of Foreign Affairs of Denmark for EU Council Building during the Danish Presidency of the EU Council. 

Installed along the aisle, 27 panels with sculptural antennae—matching the number of EU member states—symbolise the collective sensitivity and responsibility of nations. Made from recycled 3D-printed plastic, the forms reinterpret antennae from various European insect species 1.

The decoration concept celebrates alternative ways of sensing—plant, animal, human, and artificial—highlighting the artists’ view of the need to move beyond a singular perspective in diplomacy. Set against eelgrass panels from the Danish coasts, the antennae’s vivid red colour signals urgency and their shapes ambiguity—are they biological, technological, or ancestral?

The panel formation is inspired by the curved shield-covered Viking ship or petroglyphs. Vikings were not only raiders, but skilled engineers and navigators. The panels invite the viewers to reflect on how to lead in navigating today’s climatic and technological shifts. The artists ask how do we make urgent and empathetic decisions and what do we leave behind?

Positioned within a space of power, the antennae represent both reception and transmission: decisions made here ripple outward, while each nation’s voice can influence the centre.

The project is based on a circular concept, making use of existing elements such as chairs and tables. Once the installation or artwork comes to an end, all components can be reused, repurposed, or recycled.

A speculative insects grows and evolve during the presidency via AR.

1 Based on information from the European Red List of Insect Taxonomists, 2022